The other day in one of my history classes, a professor showed us a powerpoint slide of a typical Medieval church floor plan. "The apse faces East," she said in passing. "Priests would pray oriented Eastward, to be ready for the return of Christ." Judging from the deadpan expressions on the faces of most of my fellow students, this didn't really mean anything significant for their lives.
But I felt like I'd had an epiphany. I'd been reminded of an experience I'd had in Istanbul, and I began scribbling emphatically in my notebook.
Orientation is, obviously, very important to Muslims. The mihrab in a mosque indicates the direction of prayer towards Mecca (in the early stages of Muhammad's revelation, his followers prayed facing Jerusalem...anyways, later on Muhammad changed that).
As a Protestant in the West I had never really given much thought to what direction I was facing when I prayed. In my ignorance I hadn't realized that for many Christians this is highly significant.
Of course orientation matters for Muslims and for Christians in the East.
We had reached the first week of March. The sun warmed our faces as we stood outside Chora Church, known in Turkish as the Kariye Müzesi (the word “Chora” in Greek refers to the original chapel, which was outside of Constantinople’s city walls back in the 5th century AD). The pure ancientness as well as Byzantine essence of its structure were striking. The church sat there in the midst of an Istanbul neighborhood, cobblestone streets, new park, and touristy restaurants as if it ended up there by a subliminal accident -- and yet there was something determined in its timeworn existence and integrity, even if it was tinged with a little bit of melancholy.
As magnificent as the Hagia Sophia is (and if you know me well you know of my obsession with that particular place), its mosaics and frescoes are no where near as incredible nor as numerous as those of Chora Church. Every single direction we craned our necks were new Biblical (predominantly New Testament) scenes depicted in a spectrum of colorful tiles. The gold glinted here in the fanned tail of a peacock, there in a sullen emperor’s crown; here on the book Christ clutched in his hand, there around the head of a martyr, saint, or apostle. We saw Peter holding the keys to Paradise, the child Mary taking her first seven steps, angels swooping down from every corner... it was breathtaking. Chora church still served as a Christian place of worship even following the conquest of Istanbul in the famous (or perhaps infamous, depending on your background) 1453. Only in 1511 was it converted into a mosque (try to imagine how contentious that was!); then to a museum at the end of World War II.
Are we oriented towards Christ's return, no matter where we are in the world?
Maybe we should be more intentional about how we orient our lives, especially when we are in a place that makes in difficult to do so.
May our faith be deliberately oriented, intentional and devoted even when it's hard and our values are extremely countercultural or alien or not accepted in a certain social group or atmosphere. May we remember how we ought to orient ourselves no matter where we are...
But I felt like I'd had an epiphany. I'd been reminded of an experience I'd had in Istanbul, and I began scribbling emphatically in my notebook.
Orientation is, obviously, very important to Muslims. The mihrab in a mosque indicates the direction of prayer towards Mecca (in the early stages of Muhammad's revelation, his followers prayed facing Jerusalem...anyways, later on Muhammad changed that).
As a Protestant in the West I had never really given much thought to what direction I was facing when I prayed. In my ignorance I hadn't realized that for many Christians this is highly significant.
Of course orientation matters for Muslims and for Christians in the East.
We had reached the first week of March. The sun warmed our faces as we stood outside Chora Church, known in Turkish as the Kariye Müzesi (the word “Chora” in Greek refers to the original chapel, which was outside of Constantinople’s city walls back in the 5th century AD). The pure ancientness as well as Byzantine essence of its structure were striking. The church sat there in the midst of an Istanbul neighborhood, cobblestone streets, new park, and touristy restaurants as if it ended up there by a subliminal accident -- and yet there was something determined in its timeworn existence and integrity, even if it was tinged with a little bit of melancholy.
As magnificent as the Hagia Sophia is (and if you know me well you know of my obsession with that particular place), its mosaics and frescoes are no where near as incredible nor as numerous as those of Chora Church. Every single direction we craned our necks were new Biblical (predominantly New Testament) scenes depicted in a spectrum of colorful tiles. The gold glinted here in the fanned tail of a peacock, there in a sullen emperor’s crown; here on the book Christ clutched in his hand, there around the head of a martyr, saint, or apostle. We saw Peter holding the keys to Paradise, the child Mary taking her first seven steps, angels swooping down from every corner... it was breathtaking. Chora church still served as a Christian place of worship even following the conquest of Istanbul in the famous (or perhaps infamous, depending on your background) 1453. Only in 1511 was it converted into a mosque (try to imagine how contentious that was!); then to a museum at the end of World War II.
In what was once the sanctuary of the church, I stood staring at the mihrab, off-kilter from the orientation of the original chapel (which faced towards Jerusalem) in favor of alignment towards Mecca. I turned my gaze away from the mihrab, squinted my eyes and tried to imagine an altar there. I looked down at the marble under my feet and started saying something to God. I was almost immediately interrupted by the harsh voice of a security guard. It took me a moment to even realize what he was telling me and what I was doing wrong: “NO PRAYING,” he said. “MUSEUM ONLY.” Rattled from of my quiet thoughts, I nodded quickly and he waved me away from the spot. We heard later that while we were in the church three Christians had gotten thrown out for offering up prayers to some iconic saints depicted in the mosaics.
I was disoriented by this experience in a way I hadn’t anticipated. There was something intrinsically affronting about starting to pray in an ancient church and then being confronted so abruptly, especially when I hadn’t thought that anything in my body language conveyed what I was actually doing or thinking. I felt like a hermit crab who tried to retract inconspicuously into its shell only to be followed into what should have been a place of safety -- my own mind. It was a strange encounter, and made me even more thankful for the solace of some thoughts and prayers that are too deep to ever be drawn out from inside my shell. There is solace, even if it’s under threat, in knowing that your mind is free to pursue God.
What direction are you facing when you pray?
What direction are you facing when you pray?
Are we oriented towards Christ's return, no matter where we are in the world?
Maybe we should be more intentional about how we orient our lives, especially when we are in a place that makes in difficult to do so.
May our faith be deliberately oriented, intentional and devoted even when it's hard and our values are extremely countercultural or alien or not accepted in a certain social group or atmosphere. May we remember how we ought to orient ourselves no matter where we are...